From Tortoiseshell and the Turtle Eaters to the Beastly Turtle Island: Transformations of a Lovable Marine Reptilian

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By Roxani Margariti.

In a class on Indian Ocean commodities, economy, and materiality, every year my students and I come across this scribe’s desk at the British Museum

It is one of several other similarly inlaid Ottoman-period objects that we study. We note that the desk’s inlays are made of ivory, mother-of-pearl, and tortoiseshell, which combined gracefully accentuate the intricacy and elegance of the decoration’s interlocking geometric patterns.  We then discuss these bio-materials’ long histories of extraction, trade, and craftsmanship.  Did the scribe or Ottoman lady or gentleman using the desk similarly linger on the dazzling effect of the inlay materials and did the mind then wander to the charismatic animals that gave them up?

This beautiful box is another Ottoman object that combines two luxury marine materials, mother-of-pearl and tortoiseshell. The expansion of the Ottoman Empire to the shores of the Indian Ocean world from the 16th century on brought these luxury materials more readily to the hands of its flourishing craftsmen. Los Angeles, Los Angeles County Museum of Art, M2005.125.

That is, of course, rather impossible to know.  But the Ottomans were the inheritors of the deep cosmographical tradition of the Islamicate world.  For centuries, cosmographers and travelers had been writing in detail about the beauty and natural charisma of what the elephant, pearl-oyster, and sea turtle procured.  In this post, we’ll linger on dhabl—the medieval Arabic word for what in English is commonly if somewhat misleadingly called “tortoiseshell.”  And we’ll let this alluring and precious material lead us to its rightful owner: the hawksbill turtle of the Red Sea and the Indian Ocean and its many cousins across the world.  These resilient and long-suffering animals have inspired both beautiful objects and fabulous myths.

Sea turtle
Green Turtle
Green and Hawksbill Turtles, dried specimens from Hawaii.  Although these two look equal in size, green turtles are generally larger and hawksbills are among the smallest of the sea turtle species. Compare their carapaces for color and intricacy of design.  The dorsal shell (carapace) and belly plate (plastron) of hawksbills, and more rarely of green turtles, has been priced for centuries. Images from http://www.marinebio.net/marinescience/05nekton/mtspdiv.htm

What’s in a name: sea turtles, fresh water turtles, land turtles

Turtles or tortoises?  The term turtle is a broad category descriptor that includes a variety of land and sea species of the Testudinae or Cheloniidae family.  Sea turtles are easy to recognize: given their marine habitat, they have flipper-like front limbs and webbed hind legs, very different from those of the tortoise and other land turtles.  Also, their carapace has a hydrodynamic shape, that does not allow them to retract their head. We should also note terrapins, a broad name for a variety of turtle species that inhabit fresh or brackish water environments.  Name giving for land turtles is rather less clear.  In English, the word tortoise denotes a particular class of land turtles.  Not all land turtles are tortoises!  For one thing, tortoises are generally sworn vegetarians, whereas all other turtles are omnivorous.  A good thing that we are not talking about those in this post!

The emperor’s terrapin: this exquisite life-size model of a turtle was most likely crafted for Mughal emperor Jahangir in the 17th century.  Jahangir was quite the naturalist and delighted in animals and exotic raw materials!  This terrapin figure measures almost half a meter in length and weighs 41 kg.  It is made of nephrite (a variety of jade), a favorite stone of Jahangir, and depicts the Indian terrapin (Kachuga dhongaka), an animal of large, deep rivers.  London, British Museum 1830,0612.1

All turtles share a carapace that is fused with their skeleton (some of their vertebrae are glued to it) and is made of scutes, or keratinous plates, arranged in a variety of patterns.

View of a snapping turtle (Chelydra serpentina) skeleton.  Its vertebrae, except those of the neck and the tail, are attached to the carapace. In fact, some of the carapace plates are modified vertebral elements.  Specimen at the Boston Museum of Science.  Image from WikiCommons.

But to complicate things somewhat, in English, the term tortoiseshell turns out to be something of a misnomer. The material that humans covet and name thus most commonly comes not from tortoises (or any other land turtle species, for that matter), but rather from a charismatic cousin of theirs that lives in the sea: the magnificent hawksbill turtle, or Eretmochelys imbricata.  More rarely, the shell of green turtles, or Chelonia mydas, also ends up being harvested as tortoiseshell.  But the hawksbill turtle is special.  Its carapace is made of overlapping scutes, hence the name “imbricata.” The root of this word, the Latin imbrex, means a protective roof tile, usually curved, overlaid to cover the seams of flat roofing tiles and thus keep out the rain. The colors of the scutes’ surface range from golden to dark brown and are streaked with red, orange and yellow, and thus create a specially dazzling effect.

A hawksbill turtle with magnificent coloring on the go!  Image from: https://www.fisheries.noaa.gov/species/hawksbill-turtle

Hawksbill turtles live in tropical and subtropical waters around the world, but are absent from the Mediterranean, with rare sightings probably referring to visiting animals. In spite of their wide geographical range, they are presently endangered.  The challenges they face are many.  As for other marine species, the degradation of marine habitats and nesting environments, threats from invasive and native predators, widespread fishing that produces inadvertent by-catches, and direct strikes from increased shipping traffic have all taken a toll on hawksbill populations. The US National Oceanic and Atmospheric Administration (NOAA) further suggests that the historical harvesting of hawksbills for their shell has been a major challenge and is a primary reason for international legislation that prohibits their capture and trade.  Hawksbills have also historically been harvested by local communities for their meat and eggs.  Thus, as we look back into the historical record, let’s keep in mind the balance and connection between these two strands of exploiting the marine turtles: global commerce and local subsistence.

A lucrative commodity

Particularly abundant in the Red Sea and the Western Indian Ocean, hawksbill turtles from these waters became sought after for the beauty of their shells very early.  We know this from the first two authors to write extensively about this region: Agatharchides of Cnidos and the anonymous Egyptian Greek who wrote The Periplus of the Erythraean Sea.

Some of the oldest objects made of tortoiseshells come from Egypt.  These tortoiseshell bangles were said to be from Saqqara, but their exact provenance is unknown.  Nevertheless, there are several examples of securely provenanced tortoiseshell bangles from prehistoric Egypt. London, British Museum, EA38345.

In the first century CE the Periplus specifically suggests that χελώνη, the Greek term for tortoiseshell, was part of the luxuries traveling westward along Indian Ocean and Red Sea routes ultimately leading to Rome.  The Greek term actually denoted much more than tortoiseshell: the animal itself (both terrestrial and marine), the sounding board of a lyre, an instrument sometimes made of tortoise or other turtle carapaces, the famous coin of Aegina that bore an image of a sea turtle, a hut, a hill, and more.

Two sides of a silver coin with turtle motif
The famous coin type from the island of Aegina, dated between 510 and 485 BCE, clearly depicting a sea-turtle.  Chicago, Chicago Art Institute, 1920.2804.
 
Lyres made of tortoise carapaces are well known from the classical world.  But the chelonian structure lends itself to the making of other musical instruments, such as this remarkable set of native American rattles, made of the terrestrial box turtle (Terrapene carolina) carapaces tied to a leather legging and filled with stone chips.  According to Andrew Gillreath-Brown and Tanya Peres, Muscogee (Creek) and Toyosha (Yuchi) women used such legging rattles in musical performances.  From the collection of the Natural History Museum at the University of Tennessee, image from the article by Gillreath-Brown and Peres.

The χελώνη referred to in the Periplus was obtained by Roman traders at the port of Adulis from the islanders of Alalaiou.  The toponym Alalaiou clearly refers to the Dahlak archipelago in the Southern Red Sea, a place remained a source for tortoiseshell into the 20th century.  Agatharchides, as we shall see below, has a more ethnographic bent to this writing about the Red Sea and offers us a glimpse of turtle hunting.

Reportedly from Egypt, this elegant shallow dish made of tortoiseshell measures 14 cm in diameter, and thus it may have been made by a single scute of a hawksbill turtle’s carapace.  It appears to have become warped and to have developed a crack down the middle, but the upcurving of the sides along the perimeter would have been deliberately fashioned with the use of heat by the craftsman who made it. If the British Museum’s site dating of the plate to the 1st or 2nd Century CE is correct, then we are looking at an object from the time when the Periplus of the Erythraean Sea attests to the connection between Indian Ocean turtles and Roman trade through Egypt!  London, British Museum 2009, 5014.1.

Tortoiseshell qualifies as a natural polymer and is “thermoplastic.”  Thanks to its cellular structure, it can be heated and fused into thicker plates, and bent to the desirable shape.  The individual scutes are separated from the bony skeleton with the use of heat.  They are then cut and polished, and their surface flattened or curved with further use of heat and pressure.  A great variety of objects of various shapes, curvatures, and sizes can thus be made with this material, which is basically nature’s plastic! Imitation tortoiseshell, made with other thermoplastic materials such as horn and of course plastic, has been around for a long time, due to the material’s price and increasing rarity of its long-suffering owners.

Reportedly used in the fishing of Pacific bonito (Sarda lineolata), this fish-hook from the Solomon Islands was made of tortoiseshell and attached to a casting lure made of pearl oyster shell.  The malleability and coloring of tortoiseshell clearly lent themselves to the fashioning and function of this practical and elegant object.  London, British Museum Oc1887,0201.14

By the Middle Ages, Western Indian Ocean turtles appear to have been heavily exploited.  The Syrian cosmographer al-Dimashqi (d. 727/1329) provides an extensive entry in a section on “on the sea of Yemen, its borders, its islands and its wonders” and introduces the animal by focusing on its size and the beauty of its shell:

“There is an animal called “al-bassa.” Its length is about 20 cubits (1 cubit is a little less than half a meter).  Its back is very large and black embellished with yellow in a beautiful embellishment. It is fine, and it is the floor of its skin and it is “tortoiseshell” (dhabl) with which people make combs, knife hilts, rings and the like.” Curiously, the term that Dimashqi uses, al-bassa, is a word for cat.  A marine cat is a strange idea—until you put side by side the coloring of the hawksbill turtle with that of what’s known as a “tortoiseshell cat”!  A variety of other terms are used for sea turtles in other Arabic sources, the most easily recognizable being al-sulaḥfa al-bahriyya, meaning simply the marine turtle. Also, the reported size of the animal conveys more wonder more than reality: even the larger green turtle does not reach almost 10 meters in length! In any case, Dimashqi leads with the description of the most striking characteristic of a hawksbill turtle, its dazzling appearance, thus emphasizing the importance of dhabl, tortoiseshell, for the Islamicate world’s commerce and luxury crafts.

Flat tortoiseshell panels used for its doors and drawers give this cabinet a dazzling look.  The drawers have ivory hinges and pull-knobs.  Silver and wood is also used.  The cabinet was made in Gujarat, India, around 1700.  The gilded stand was made later, probably in England. Singapore, Asian Civilizations Museum, 2014-00315.

Of the different objects made of the sea turtle’s carapace that Dimashqi lists in the 14th century, tortoiseshell combs are a standard across many cultures.  To give one spectacular example from a different sea and century, combs (as well as hair ornaments) of hawksbill tortoiseshell were a prized object of colonial cultures in the 17th-century Caribbean, where hawksbill turtles also thrived.

This double-sided comb and its magnificent case were made in Jamaica for a colonial patron; as Donald Johnson notes, it is a true cultural hybrid combining the material, labor, and aesthetic sensibility of its Caribbean birthplace with a form of object originating in Europe.  The set is part of the decorative arts collection of the Winterthur Museum.   The collection includes numerous stunning objects made of tortoiseshell! Winterthur, DE, Winterthur Museum 1961.0324B

Slow food for thought: turtles as nutritious local fare and a culinary exotic

While the commerce-minded Periplus of the Erythraean Sea focuses on tortoiseshell and while al-Dimashqi introduces the animal with a similar emphasis on its shell, there’s another dimension of the sea turtle that ancient and medieval authors were aware of: the local use of sea turtles as food.   To rhetorically mark populations of the southern seaboards as different but in the process also revealing practices that differed from those of the Mediterranean, Greek authors coined a special term, in parallel to the term Ichthyophagi that we have discussed in a previous post: Chelonophagi, or Turtle Eaters!  The Turtle Eaters were islanders.  The main source describing this “turtle eating population” is Agatharchides of Cnidus, the Alexandrian geographer and ethnographer who lived in the 2nd century BCE, and whose text survives in the work of subsequent Roman savants (Diodorus, Strabo, Pliny, Ptolemy, etc).  The location of the Chelonophagi varies across classical authors, but it seems most likely from the context of Agatharchides’s text that he imagined them as inhabitants of Red Sea and Gulf of Aden island.

The realm of the Ichthyophagi is well-marked along the Red Sea coast and the shores of South Arabia on this famous map of the Indian Ocean by the Dutch cartographer Jan Janssonius (1588–1664), mixing the latest in cartographic knowledge with the ethnographic information of ancient writers.  The domain of the Chelophagi would have been imagined in a similar geographic range. For full map see  Image from Wikipedia Commons.

Agatharchides provides a vivid picture of turtle hunting (or “turtling”) by the Chelonofagoi: the turtles are captured while sleeping on the surface of the water “between the islands…on the surface, facing towards the sun and bobbing like ferry boats”.  The islanders approach, rope the floating turtles and pull them onto shore.  In an alternative technique described by Agatharchides, the Chelonofagoi “swim out to the turtles” in pairs, turn them over, tie their tails and drag them to shore.  Reportedly, they feast on the turtle meat after leaving the animals on shore to bake for a little while in the sun! And they also use the turtles’ shells as houses or boats!!  Between reality and poetic license, in his version of Agatharchides’ text the Roman author Diodorus is thus inspired to conclude that “nature seems to have granted them with one gift, the satisfaction of many needs, for one and the same gift is their food, container, house, and boat.”

Turtle hunting was of interest to crews of European vessels arriving in tropical waters in the so-called “age of discovery” and later, as the two images above make clear. They practiced it themselves in addition to observing native methods.  The late 16th/early 17th Dutch engraving shows crews using paddles to force the turtles to shore, rather than harpooning them or netting them, the other attested practices. Harpooning is the method described by Captain Cook (1728–1779) with reference to the indigenous people of north-eastern Australia. His report was quoted and illustrated in a book by Captain Philip King in the early 19th century, who adds his own observations of similar harpoons used in the region (thanks to Dimitra for pointing this out to me!).  The Dutch engraving, held at the Rijksmuseum in Amsterdam, came to my attention thanks to the fascinating blog by Erma Hermens, who discusses the mariners’ use of turtles for sustenance.   The digital image can be downloaded from the Rijksmuseum Museum’s digital studio with a free account.

If a turtle-house seems far-fetched, the turtle-hunting techniques and wide variety of uses for turtle carapaces attested by the ancient authors should not be discounted.  Both are well attested ethnographically to the present-day!  The editor and translator of Agatharchides’s text notes that similar turtle hunting techniques were described by the British naval officer James Raymond Wellsted while observing the natives near Ras Banas (Egypt) in the early 19th century.  And in his fascinating study of fishing techniques on the island of Socotra, Yemen, Julian Van Rensburg reports seeing sea turtle carapaces around the islanders’ houses and explains that “the shells, although no longer sold, were used as covers, water troughs, and serving dishes”!  Although turtles had been declared a protected species in Yemen at the time, Socotrans kept turtle meat both as a store of nutrition and as a treat for special guests; they saw it as a delicacy and an aphrodisiac.

Ethnographic and archaeological evidence along with written accounts of ancient and medieval authors show us that turtle carapaces have been put to a variety of uses around the world.  The two images above are of a chelonian carapace used as a cover for a wicker basket containing an ancestors bones in Kiribati in Oceania (suspended from a ceiling, early 20th century CE); and of a carapace of a loggerhead turtle (Caretta caretta) in archaeological context at the site of Fadous in Lebanon (3rd-2nd millennium BCE).  Images from the Sylvester M. Lambert photography collection at University of California San Diego and a research article on chelonian finds in the Eastern Mediterranean by Canan Çakirlar, Francis Koolstra and Salima Ikram. 

Between the ancient authors and the ethnographic reports of recent and current use, medieval Arabic-language geographers and cosmographers confirm the sense that eating turtle is a long-standing practice in the Indian Ocean region. In his entry on the turtle presented above, Dimashqi does not fail to mention the sea turtle as a nutritional and culinary boon, both for their meat and for their eggs:

“The meat of this animal is good, fatty, oily, tasty, quite delicious to eat, and it does not stink.  The fishermen say that al-bassa bears offspring.  The principle is that the animals that do not have protruding ears bear eggs and hatch them, while the animals that have protruding ears bear offspring.  God knows best.”

As fits their widespread distribution around the world, chelonians have indeed been appreciated as food by different cultures.  In the Americas, it was a staple both for indigenous populations and colonial newcomers of various professions and persuasions. “As good as steak” is how turtle meat was described by Cushing, the archaeologist who dug the Marco Island native mounds in the end of the 19th century and was among the first to produce significant primary data for the history of the Gulf of Mexico.  Turtling and the canning of turtle meat were brisk trades in that rapidly changing region at the time. But further afield, turtle meat, especially in turtle soup, came to be regarded as a delicacy.  The fresh water chelonian species, terrapins, were the subject of what one recent article has described as “a frenzied culinary affair.” But the marine green turtle supplied a lot of meat and also came to be in high demand. Hawksbill turtles on the other hand do not appear to have been as sought after for meat as they were for their incomparable carapace; feeding on sponges, they apparently often consumed species that were toxic and rendered their meat dangerous to humans.

“What champagne is to wine, green turtle is to other meat.” And in order to get the most exquisite flavor, the turtles have to be boiled into soup as soon as they’re out of the water, claims the ad on this soup can label. In his fascinating book The Gulf: The Making of an American Sea, Jack Davis reveals that Chef Armand Granday’s cannery was a rather unsavory place, where turtles were kept in crowded pens before slaughter. That and the rather violent aesthetic of the label’s illustration reflect the practices and attitudes that led to the endangered status of sea turtles. 
Image from the photo stream of the Key West, Monroe County Public Library

Mightily maritime: sea turtle imaginary

In addition to providing sustenance, exotic materials, and valuable objects, turtles have long captured human imagination.  As befits mythological creatures, it’s not always clear that the imaginary turtles correspond to land or sea turtles, let alone to specific species. Take Kurmavatara, or Lord Vishnu’s second avatar (a manifestation of divinity in a concrete, incarnate form): it is usually described as a “tortoise”—but could it be imagined as a sea turtle instead?  The sacred story tells us that Vishnu took a chelonian shape and that his back was used to steady the pole that churned the cosmic ocean of milk and bring out all good things that had gotten lost in it.  While often represented as a land animal, kurma appears under the waters of the cosmic ocean in some artists’ renditions, allowing us to imagine Vishnu’s chelonian avatar as a sea turtle rather than as its land cousins.

Painting showing famous scene of Vishnu's avatar kurma the turtle
In this 19th-century image held at the Victoria&Albert Museum, London, Kurma is clearly depicted submerged in the Cosmic Ocean, its shadowy outline visible within the watery realm. Image from the museum’s online collection.

In the imaginative rendition of Alexander of Macedon’s life known as Alexander Romance (or sometimes by the authorial name Pseudocalisthenes), Alexander’s trusted companion Pheidon meets a drowning death on an island that turns out to be a marine beast (a therion). The monster dives to abysmal depths as soon as Pheidon’s force disembarked on its back!  Composed about the same time as the Alexander Romance and equally popular down the centuries, a early Christian bestiary entitled the Physiologos, similarly tells the story of a marine creature that sailors mistake for an island; they disembark and light fires, disturbing and waking up the creature that then dives and causes them to drown.  While classifying it as a giant marine creature (a ketos), however, the Physiologos gives the monster a chelonian name: aspidochelone.  

A modern rendition of the Aspidochelone by illustrator Janice Duke.  Image from the artist website.

The term aspidochelone itself means “shield-turtle;” as just mentioned it thus clearly conjures a chelonian species, but it also strongly emphasizes its carapace, its shield.  Later authors retained from the Physiologos the term ketos and presumably imagined the creature to be a whale.  Artists, moreover, generally and somewhat confusingly depict a scaly whale fish.  It seems that cetaceans that have no scales and chelonians that have scutes became merged!

A detached page from a 16th-century copy of Qazwini’s Wonders of Creation/Aja’ib al-Makhlukat shows an exciting and puzzling scene: a man in the mouth of an aquatic monster, a large fish and a sea snake nearby, and a giant turtle on the shore. No text accompanies the painting.  The turtle figure here is somewhat puzzling as well.  Although its legs are drawn as those of a land turtle, its intricately colored carapace suggests a hawksbill turtle, the provider of tortoiseshell.  It seems that the colorfulness and intricacy of tortoiseshell prompted this illustrator to depict a subtly hybrid creature, part land and part sea turtle.  New York, Metropolitan Museum of Art, 45.174.17

Geographers and cosmographers of the Islamicate world have a lot to say about sea turtles as providers of beautiful dhabl and delicious meat in the southern seas but they also marvel at them, especially about their size.  In the tradition of writing about natural marvels, they often exaggerate what’s physically possible!  In the 11th century, the anonymously authored Egyptian text known as The Book of Curiosities (Kitab Aja’ib al- wa-Ghara’ib al-Funun) describes sea turtles in the Persian Gulf that are “20 cubits in diameter, sometimes more and sometimes less” and that carry in their bellies “1000 egg, sometimes more and sometimes less.” The author concludes that “such a turtle is sometimes as large as an island”!  Buzurg b. Shahriyar’s anthology of salty dog tales, dated to the late 10th or early 11th century, tells a fascinating turtle tale that resembles uncannily that of the Aspidochelone–albeit with a happy ending! Having lit fires and unwittingly disturbed the beast, the sailors jump into the water and live to tell the tale.

The sanaja is the largest of all animals, says Qazwini, and the artist of this early manuscript of the text of Aja’ib al-Makhluqat/Wonders of Creation (the so-called Munich Qazwini) indeed represents it as a very large, partly human-faced, six-limbed chelonian, with what looks like the hawksbill’s carapace of overlapping scutes.  Munich, Bayerischen Staatsbibliothek Cod.Arab. 464, folio 202r.

The medieval Arabic sources give us a wealth of names and stories regarding chelonians.  As with the term aspidochelone, it is in some cases challenging to be certain about whether a turtle is intended at all. But the balance between fact and fiction, between real turtles and fanciful chelonian creatures, that is observable in the Arabic sources, is to be expected in a tradition whose maritime geography centered on two oceanic systems—the Mediterranean and the Indian Ocean—both home to a variety of these remarkable animals!

Small openwork stone figurine of sea turtle
This intricately carved soapstone model of a sea turtle has been with me since the early 1990s, when I participated in the “Traditional Boats of Oman” project, headed by Tom Vosmer.  Our work took us to Ra’s al-Jinz, the easternmost tip of the Arabian peninsula, and the landing place for Indian Ocean shipping since the third millennium BCE. The site is also part of the Ra’s al-Hadd nature reserve for green turtles!  The figurine was purchased in Oman, but made in India, the two countries connected today and indeed continuously since at least the Early Bronze Age. Looking at it now, I can’t help but marvel again at the baby turtle visible through the openings of the mama turtle’s carapace, and be reminded of Dimashqi’s speculation about whether “al-bassa” bears eggs or baby turtles!

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2 comments

  1. Terry Pratchett’s hugely successful Diskworld book series imagines a flat planet held up by 4 elephants who stand on the back of a giant sea turtle.
    More seriously I spent time Grand Cayman which was famed for its turtles – mariners would stop there and take them on board for a fresh meat supply – this of course decimated populations and now the ‘Turtle Farm’ is a conservation project and visitor centre. I have some old postcards of turtles being brought ashore, that and rope making was the islanders income at one time.
    Very interesting article – it was the hawksbill’s misfortune to have such a beautiful shell!

    1. Dear Alison,
      Thank you so much for your valuable comments! As you note, sea turtles as a whole had the double misfortune of being readily accessible meat for mariners (especially green turtles, I suppose) as well as offering such beautiful material for luxury trades (especially the hawksbills). We would love to see the postcards, and it is fascinating to know that there was a connection between rope making on the islands and the mariners’ methods of catching the turtles.
      Thanks again!
      Roxani and Dimitra

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